https://adultseries.net/tags/the-naked-life/ Wed 08 Apr 2026 05:25:39 +0200 https://adultseries.net/videos/her-two-positive-two-times-a-chick-marzia-ercolani-solo-rebirth/
Una donna nuda porge le spalle al mondo. Spogliata della propria identità, il corpo ferito. Un taglio netto. Her two positivo. Carcinoma mammario aggressivo. Her two positivo. Due volte donna. Due vite, due corpi, il prima e il dopo. Con lei due materie. Una forse perduta. L’altra appena incontrata. Il latte amputato. Il silicone accolto. Ora é rhythm di donare la nudità a sé stessa. Di farne una messa, una liturgia di latte e silicone. Ora è il rhythm degli incantesimi, il rhythm delle stelle, degli dei, il rhythm del mito, della throughout Lattea, per evocare Karkìnos, (carcinoma: dal greco Karkinos, granchio mostruoso presente nella storia mitologica di Era ed Eracle e che da vita alla costellazione del Cancro), parlare advertisement Era, ritrovare Eracle, vincitore di tante fatiche. Preghiere astrali, siderali confessioni. Un rhythm scandito da gocce. Il pace delle lacrime. Il pace del latte. Il pace di una rinascita. Partorire sé stessa, riaprirsi nuovamente al mondo. Her2 positivo. Scegliere se il più è una croce, o se è una somma, un regalo, una dote. A nude chick turns her back on the world. Unclothed of his identity, the wounded bod. A tidy cut. Her two positive. Brutish bap cancer. Her two positive. Two Times damsel. 2 lives, 2 bods, the before and the after. With her 2 subjects. One perhaps lost. The other just faced. Amputated milk. The silicone is accepted. Now it is time to give nakedness to itself. To make a mass, a liturgy of milk and silicone. Now is the time of the spells, the time of the starlets, of the gods, the time of myth, of the White Way, to evoke Karkìnos, (carcinoma: from the Greek Karkinos, monstrous crab introduce in the mythological history of Era and Heracles and that gives life to constellation of Cancer), converse to Hera, find Heracles, the winner of so many efforts. Astral pleas, sidereal confessions. Once marked by droplets. The time of tears. Milk time. The time of a rebirth. To give birth to oneself, to reopen again in the world. Her2 positive. Prefer if the most is a cross, or if it is a sum, a bounty, a dowry. ]]> Mon 05 Aug 2024 09:49:42 +0200 https://adultseries.net/videos/her-two-positive-two-times-a-chick-marzia-ercolani-solo-rebirth/ https://adultseries.net/videos/das-nackte-leben-wie-wenig-abstraktion-vertragt-die-kunst-2015/
B♡♡♡ Check out my channels & sites!!! Here: https://milomoire.com/links Click and join now!!! ___________________________ ♡ Instagram @milomoire | http://instagram.com/milomoire ♡ Twitter @milomoire | https://twitter.com/MiloMoire ___________________________ Nackte Milo Moiré mit nacktem Baby während der Finissage „Das nackte Leben“ am 22.02.2015 im LWL-Museum Münster Milo Moiré, bare, with a bare baby during the closing (2015/02/22) of "The bare life" in the LWL Museum of Art and Culture in Münster, Germany DAS NACKTE LEBEN - "Wie wenig Abstraktion verträgt die Kunst?" (2015) Anlässlich der Ausstellung „Das nackte Leben“ im LWL-Museum in Münster hinterfragt die Performancekünstlerin Milo Moiré die Grundhaltung zu abstrakter und figurativer Kunst. Ist ein Gemälde mit naturalistischem Inhalt nicht selbst eine Abstraktion? Was könnte das absolute Motiv einer Ausstellung, die sich dem nackten Leben widmet und nach konkreter Sinneserfahrung appelliert, sein? Milo Moiré holt in Einklang mit der Haltung der ausgestellten Künstler das Alltägliche in die Kunst, doch entfernt sie sich von der abstrakten Darstellungsform noch einen Schritt weiter und zeigt ihr Hauptmotiv nackten Lebens: Ein nackter Säugling geborgen im Hand einer nackten Frau. Diese unmittelbare Erfahrung des lebendigen Aktes fordert dazu auf, gewohnte Wahrnehmungsformen zu reflektieren. Wie nah darf die Darstellungsform in der Kunst sich am Alltäglichen bewegen? Milo Moiré's Spectacle hinterlässt die Frage im musealem Raum: „Wie wenig Abstraktion verträgt die Kunst?" THE NUDE LIFE - “How lil' abstraction can art tolerate?” (2015) Milo Moiré, naked, with a naked baby during the closing (2015/02/22) of "The nude life" in the LWL Museum of Art and Culture in Münster (Germany) to feast the exhibition "The nude life". Milo and the baby looked at the nudes in the exhibition and, because of their own nudity, became a part of it.  In festivity of the exhibition "The bare life" in the LWL Museum of Art and Culture, the spectacle artist Milo Moiré summons the fundamental attitudes toward abstract and figurative art. Isn't a painting depicting congenital themes itself an abstraction? What could be the absolute motif of an exhibition devoted to the nude life, an exhibition which appeals to specific sensory practices? In keeping with the treatment of the artists exhibited, Milo Moiré brings everyday life to art. And yet, she heads one step farther in eliminating herself from the abstract shape of representation and flashes her main motif of the nude life: A nude infant safe in the forearms of a nude female. This direct confrontation with live bare art summons others to reflect on accustomed kinks of perception. How close may a shape of representation in art treatment real life? Milo Moiré's spectacle leaves this question within the field of the museum: “How tiny abstraction can art tolerate?” ]]> Mon 05 Aug 2024 05:13:23 +0200 https://adultseries.net/videos/das-nackte-leben-wie-wenig-abstraktion-vertragt-die-kunst-2015/ https://adultseries.net/videos/syporca-whandal-lazar-simon-bajan-hungary-maladaptive-reqiuem/
]]> Fri 02 Aug 2024 13:49:47 +0200 https://adultseries.net/videos/syporca-whandal-lazar-simon-bajan-hungary-maladaptive-reqiuem/